AI Image & Video Generation

a green triangle

Locked-off static shot of a Transylvanian mountain cabin as day transitions to night over 5 seconds. Golden-hour shadows lengthen, indoor windows light up one by one, chimney smoke thickens, stars fade in. Camera does not move — composition must stay pixel-stable while lighting and elements evolve.

Busy restaurant kitchen. Two chefs: the one on the left tosses a pan of vegetables with a brief flare of flame; the one on the right plates a dish in the foreground. Camera tracks laterally left-to-right over 4 seconds. Steam rising throughout. Both chefs' actions must remain anatomically coherent as the camera moves.

Slow 5-second dolly-in on a woman reading a leather-bound book by a crackling fireplace. Camera starts wide (full library visible), ends tight on her eyes. Her face, hair color, and the book's cover must remain identical frame-to-frame.

I want to show a boxing ring with Donald Trump and the Pope boxing it out

i want to show a porsche959 from the siide, it should be vantablack

An ancient alien megastructure rises from the surface of a frozen ocean planet, its obsidian surface etched with softly glowing geometric patterns in deep amber and gold. The camera begins low, skimming inches above the cracked ice surface in a slow forward push, frost particles drifting upward in zero gravity. The structure towers impossibly tall, disappearing into thick violet cloud cover above. A single beam of cold white light pulses slowly from its apex downward, illuminating the ice below in rhythmic bursts. Small chunks of ice float upward in the beam, rotating slowly. The atmosphere is utterly silent and still except for the pulse. Camera continues its slow forward push until the megastructure fills the entire frame, its texture filling every detail — carved symbols, mineral veins, ancient oxidation. Extreme slow motion. Deep focus throughout. Color palette: obsidian black, cracked white ice, amber glow, violet sky. Cinematic 35mm, heavy atmosphere, cold color grade with warm accent light.

A lone lighthouse keeper walks along a jagged cliff edge at golden hour, his weathered coat whipping violently in the wind. The camera starts as a wide drone shot from behind, slowly pulling back to reveal the massive scale of the grey-green ocean below, white-capped waves crashing against black volcanic rock. As the sun descends, it splits the sky into layers — deep amber at the horizon bleeding into burnt orange, rose pink, and finally a cold indigo at the top of the frame. The keeper stops, pulls out a brass pocket watch, examines it, then closes his fist around it. Cut to a tight close-up of his face — deeply lined, salt-weathered skin, pale blue eyes reflecting the dying light, a faint melancholic expression. The lighthouse behind him begins to rotate, its beam cutting through the thickening sea mist. The camera slowly orbits him 180 degrees, now facing the sea, as the first stars become visible through breaks in the clouds. Cinematic 35mm film grain, anamorphic lens flare, shallow depth of field, color grade inspired by Roger Deakins.

A lone lighthouse keeper walks along a jagged cliff edge at golden hour, his weathered coat whipping violently in the wind. The camera starts as a wide drone shot from behind, slowly pulling back to reveal the massive scale of the grey-green ocean below, white-capped waves crashing against black volcanic rock. As the sun descends, it splits the sky into layers — deep amber at the horizon bleeding into burnt orange, rose pink, and finally a cold indigo at the top of the frame. The keeper stops, pulls out a brass pocket watch, examines it, then closes his fist around it. Cut to a tight close-up of his face — deeply lined, salt-weathered skin, pale blue eyes reflecting the dying light, a faint melancholic expression. The lighthouse behind him begins to rotate, its beam cutting through the thickening sea mist. The camera slowly orbits him 180 degrees, now facing the sea, as the first stars become visible through breaks in the clouds. Cinematic 35mm film grain, anamorphic lens flare, shallow depth of field, color grade inspired by Roger Deakins.

a tissue box with a speech bubble that says, got an issue?

make this mouse flap its wings as if its flying

make it so that the character in the image bends down and picks up a book, opens it and reads it and a lightbulb appears above their head flashing